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Sophie Monks Kaufman

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Inside The Psychedelic New Genre Defining African Film Representation

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‘All the Beauty and the Bloodshed’ Review: Nan Goldin’s Remarkable Life Gets a Towering Film Befitting It
“You’re not doing it for intimacy, you’re doing it for fun”: The rise of having sex ‘for the story’
Reckoning with the ghoulish visual spectacle of the Queen’s funeral
Netflix’s You and how ‘nice guys’ became the real villains
How cinema can help us to value people with mental illnesses

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A WordPress Commenter on When More Than 5,000 Workers Resisted Rupert Murdoch’s UK Media Takeover

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